Relational artwork where, following an interview with the artist, anonymous Ventees are given the tools (sledgehammers and baseball bats) to destroy objects, that represent sources of rustration in their lives, in a controlled and anonymous environment

Ferreira, I., 2018, Artistic devices and the ethical nature of recycling: Burning as détournement, destruction as materiality in JAWS, Volume 4, Issue 2, Bristol: Intellect Books

Destruction in Art Symposium 2.0, 2017, David Blackmore, Michael Hampton, Sarah Pickering & Amikam Toren, Chisenhale Studios (London, UK)