In February 2016, in the run up to the UK’s referendum on membership of the EU, Blackmore wrote to the European Commission requesting a non-nation specific European Passport, in return for which he was willing to revoke both his Irish and British citizenships. The request was declined, in writing seven months later ‘because such a passport does not exist’. In response to this reply, Blackmore removed the national emblems from both his Irish and British passports the process of which was recorded photographically.
The work has evolved into a relational piece in collaboration with members of the public consisting of a discussion exploring the meaning of national identity using European identity as a counterpoint after which participants where given the mean to remove the insignia from there passports.
In 2023 The Artichoke Trust commissioned a reperformance of the work for "No But Where Are You Really From?" exhibited on billboards and digital displays across the UK.
Artichoke's latest UK-wide public art exhibition examines origin, belonging, and identity, Flo London, September 2023
NO BUT WHERE ARE YOU REALLY FROM?, Art Plugged, September 2023
Sharing Borders at Slade Research Centre, University College London, blok magazine, March 2019
Sharing Borders Symposium, 2019, Institute of Advanced Studies, UCL, London, UK.
MOCA London, 2018, Autumn Performance Series 2018, London: MOCA
Destruction in Art Symposium 2.0, 2018, Chisenhale Studios London, UK.
European Pa55port, 2017, Central Saint Martins / Paris College of Art, London / Paris X Creative Unions, pp 42
Rem Koolhaas/Wolfgang Tillmans EuroLab conference, 2018, Stedelijk Museum and De Balie, Amsterdam, NL.
re:publica - Wir berichten von der Digital-Konferenz re:publica und der digitalen Selbstverteidigung, 2018, 3sat, May 2018
Figueroa, D., 2018, ‘‘Why is a piece of paper the only proof?’- Dreaming Of a Transnational Union of Nations, Shifted News, re:publica, Berlin
UPROOTEDNESS curated, 2017, by Stir Fry Papaya, 310NXRd, London
Source Photographic Review, Spring 2017, Issue 89, Belfast, pp. 20 - 27
Novelty: 2017, The future is dark, Issue 7